* 2 authentically emulated analog oscillators (saw/square).Whether it’s Techno, Acid, Triphop, IDM, D&B, Ambient, or any other kind of genre-bending music, PHOSCYON will take your sound further. Our approach is to give forward thinking musicians and producers the tools they need to craft the sounds they want. PHOSCYON’s designers are also musicians who believe that in order for electronic music to stay relevant, it needs to evolve – just like any other genre. With the familiar Bass Line interface coupled with the added sound generation tools, we at D16 Group feel that PHOSCYON is quite simply in a class of its own. PHOSCYON gives you access authentic vintage sounds at a fraction of the cost of the real thing. Taking the classic analogue sound of the legendary silver box into the future, PHOSCYON offers an unmatched sound together with advanced features such as a state of the art Distortion unit fully user configurable BPM sync’d Arpeggiator and Randomizer a unique ‘Play Live’ mode vintage arrangement and pattern builder, full MIDI CC support and, to top it off, the most authentic 18db/oct low pass filter ever created!.ĭiehard fans of the original Bass Line will be blown away with PHOSCYON’s uncanny emulation of the classic, but will also marvel at the ease with which new sounds can be crafted sounds which were not possible on the original. The workflow is fast and the plugin is a joy to use overall.D16 Group Phoscyon VSTi AU 1.8.0 (PC – MAC) | 8.54 MB for PC | 20.2 MB for MAC It features a clean user interface with large and nicely laid out controls. In summary, Frontier could work very well as a mastering tool in your home studio, or as a mixing utility for taming the dynamics of drums, bass guitars, and similar sound sources. I still haven’t explored Frontier’s soft clipping capabilities, so feel free to post your experiences with this particular feature in the comments section below. With these settings, I was already happier with the results I got from Frontier, compared to my current go-to limiter LoudMax. I decreased the threshold slightly to a more tolerable level and set the release time to medium. This occurs thanks to Frontier’s auto gain makeup feature which increases the output volume as the threshold is decreased. The default threshold is set to -12 dB, resulting in an instant loudness boost. Some pumping was audible when the bass kicks in, though. Right after loading the plugin, I noticed that the overall loudness increased significantly without introducing too many limiting artifacts. I took Frontier for a spin on the master bus of a pop song I’m currently working on. See also: Limted-Z Is A FREE Limiter VST Plugin By LVC Audio

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